外星恶客

更多信息 

主演:Marshall ThompsonShirley PattersonKim Spalding

类型:科幻恐怖

导演:Edward L. Cahn 

状态:已完结

年份:1958

地区:美国

语言:英语

豆瓣:0.0分

热度:646 ℃

更新:2026-04-05

外星恶客

646 0.0分 电影
美国 · 1958 · 已完结
科幻 恐怖
收藏 下载 分享
    热 剧 抢 先 看
广 告 特 权 - 帧 享 影 音
精彩短视频
40分钟
档案
石凉 赵立新 曹炳琨 谭江海
20分钟
跟着书本去旅行
玛拉玛
Ariāna Osborne 托比·斯蒂芬斯 乌米·迈尔斯 Evelyn Towersey 埃罗尔·尚德
限时拯救
乔什·杜哈明 迪伦·斯普罗斯 蒂尔·施威格 杰森·伦敦 杰瑞米·伦敦 Kristin Wollett 埃琳娜·桑切斯 Corbin Pitts
了不起的妈妈 第二季
虎岛
全部内容
猜你喜欢
推荐
马尔科姆先生的清单
阿斯兰夫妇
棕兔夫人
不能犯规的游戏之午夜来电
金匾背后
异星凶客
巨鳄(原声版)
生活伊始
查看全部内容
为您推荐
档案
跟着书本去旅行
玛拉玛
限时拯救
了不起的妈妈 第二季
虎岛
挪威足球队:黑马之路
克拉克森的农场 第五季
热门电影
  • 1
    马尔科姆先生的清单

    芙蕾达·平托 索佩·迪瑞苏 奥利弗·杰森-科恩 阿什利·朴 扎威·阿什顿 西奥·詹姆斯 森尚子 索菲·瓦瓦塞尔 希安纳德·格雷戈里 艾玛 威利斯 丹妮尔·瑞恩 道恩·布拉德菲尔德 保罗·泰来克 迪维安·拉德瓦 格里·奥布莱恩 艾斯林·多伊尔 蒂亚·安·贾因

  • 2
    阿斯兰夫妇

    希南·埃罗格鲁约兰特·卡巴乌内西姆·艾哈迈迪

  • 3 棕兔夫人 486
  • 4 不能犯规的游戏之午夜来电 817
  • 5 金匾背后 481
  • 6 异星凶客 76
  • 7 巨鳄(原声版) 470
  • 8 生活伊始 284
  • 9 上帝的驱魔 232
  • 10 夺命枪火2014 431

用户评论

 正在加载

内容简介

Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.  The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).  Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).  As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.  The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.  For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.  The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)  Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.  This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.  As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.