造物的奇迹

更多信息 

主演：Margarete SchönTheodor LoosPaul BildtMargarethe SchlegelOscar MarionWilly Kaiser-Heyl

类型：科幻纪录片

导演：Hanns Walter Kornblum 

状态：已完结

年份：1925

地区：其它

语言：其它

豆瓣：0.0分

热度：260 ℃

更新：2026-04-05

造物的奇迹

260 0.0分 电影
其它 · 1925 · 已完结
科幻 纪录片
收藏 下载 分享
    热 剧 抢 先 看
广 告 特 权 - 帧 享 影 音
精彩短视频
玛拉玛
Ariāna Osborne 托比·斯蒂芬斯 乌米·迈尔斯 Evelyn Towersey 埃罗尔·尚德
虎岛
挪威足球队：黑马之路
埃尔林·哈兰德 马丁·厄德高 斯塔勒·索尔巴肯 安东尼奥·努萨
克拉克森的农场 第五季
杰里米·克拉克森 凯勒布·库珀 丽莎·霍根
克努特：维京皇帝
94分钟
15点17分，启程巴黎
斯宾塞·斯通 安东尼·萨德勒 亚历克·斯卡拉托斯 朱迪·格雷尔 珍娜·费舍 贾里尔·怀特 托马斯·列农 托尼·海尔 P·J·伯恩 布莱斯·吉扎尔 斯蒂芬·考特尔 罗伯特·普拉尔戈 加里·维克斯
全部内容
猜你喜欢
推荐
马尔科姆先生的清单
阿斯兰夫妇
棕兔夫人
不能犯规的游戏之午夜来电
金匾背后
异星凶客
巨鳄(原声版)
生活伊始
查看全部内容
为您推荐
玛拉玛
虎岛
挪威足球队：黑马之路
克拉克森的农场 第五季
克努特：维京皇帝
15点17分，启程巴黎
跟着书本去旅行
万物起源的故事
热门电影
  • 1
    马尔科姆先生的清单

    芙蕾达·平托 索佩·迪瑞苏 奥利弗·杰森-科恩 阿什利·朴 扎威·阿什顿 西奥·詹姆斯 森尚子 索菲·瓦瓦塞尔 希安纳德·格雷戈里 艾玛 威利斯 丹妮尔·瑞恩 道恩·布拉德菲尔德 保罗·泰来克 迪维安·拉德瓦 格里·奥布莱恩 艾斯林·多伊尔 蒂亚·安·贾因

  • 2
    阿斯兰夫妇

    希南·埃罗格鲁约兰特·卡巴乌内西姆·艾哈迈迪

  • 3 棕兔夫人 486
  • 4 不能犯规的游戏之午夜来电 817
  • 5 金匾背后 481
  • 6 异星凶客 76
  • 7 巨鳄(原声版) 470
  • 8 生活伊始 284
  • 9 上帝的驱魔 232
  • 10 夺命枪火2014 431

用户评论

 正在加载

内容简介

Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.